Description:

Manipulating the acoustic feedback (Larsen) effect has a rich history in the music and sound world. Pioneered by the likes of Jimi Hendrix, Steve Reich and others, the natural curve and reaction of the sound to itself exposes an interesting phenomenon rife with musical possibilities. On the other hand, the uncontrollable, wild and often piercing nature of the resulting sound is a headache for sound engineers.

In A Fragile Equilibrium, the phenomenon is explored in an innovative way, expressed through physical materials with the use of contact microphones and transducers. The resonant frequencies of the materials, articulated by manipulations within the feedback loop, create unusual and constantly evolving soundscapes. This careful balance is easily disturbed by small and unpredictable factors, the harmonics of the room, the vibration of footsteps or even the direct interaction of a curious spectator can disturb the stability of the sound.

Sometimes, only silence remains. The system having exhausted all it’s available energy, it lies in rest, full of potential, waiting for an external push to start again.

This is the second iteration of a fragile equilibrium. The speakers have become unnecessary as the bigger resonating objects provide enough intensity on their own.

Type:

Sound Installation

Duration:

Undefined

Presented for:

L’Union Française de Montréal
(For Aussenwelt)

Special Thanks:

Lukas Mouton (Photography)

Brice Petitfils (Videography)

Aussenwelt.co